Set Installation for a play by Kees Roorda – featuring Titus Muizelaar, Ruben Lürsen & Erik De Vries. Visit the site for show dates and places www.surrender.nu
On tour in the Netherlands from March through to May 2008
Set Installation for a play by Kees Roorda – featuring Titus Muizelaar, Ruben Lürsen & Erik De Vries. Visit the site for show dates and places www.surrender.nu
On tour in the Netherlands from March through to May 2008
A Road musical directed by Titus Muizelaar featuring Loes Haverkort and Frank Lammers (seen below) Produced by Beeldenstorm en Harry Kies Theaterprodukties. Currently on tour visit www.route66.nu for show dates
A play directed by Lara Foot-Newton based on a book by Zakes Mda
Produced by The Market Theatre & Grahamstown National Arts Festival 1999.
“Catherine Henegan’s brilliantly inventive visual ploys recreating the messy and jagged urban landscape that counterpoints the pure, uninterrupted space of the rural African vista.Henegan’s visionary sets and props constitute the physical glue which holds the partialities of the different characters’ tales together.”
Love in the time of poverty July 15 1999 mail & guardian _ ZA at play
BLACK BOX WHITE CUBE was a collaborative project between Catherine Henegan, Karen Lancel (Dutch visual artist), The Rembrant van Ryn Gallery and the students of The Market Theatre Laboratory in 1999.
Henegan & Lancel worked with students of the Market Theatre Laboratory to create a video installation which played with the idea of the white gallery space transforming into a darkend theatre space. The audience was virtual, the role of viewer transfomed into that of actor.
This project was presented at the Rembrand van Ryn Gallery which was housed in the building of The Market Theatre in Johannesburg – and was co-ordinated by Storm Janse Van Rensburg
Music video created by Henegan from drawings and sketches by Jimmy Rage for the track DRAW ME NEARER
Made with Trivid Software designed by TeZ of Sub_multimedia Research Laboratory
Click on the play button below to watch the video
Conceived & Directed by Catherine Henegan in collaboration with Aryan Kaganof
“For 30 years, The Market Theatre has presented revolutionary drama to theatre-goers and none could be more revolutionary than The Shooting Gallery. This is contemporary, current, off-the-cuff real live theatre.
I am sitting in a theatre in this city confronted by the reality of this morning’s Israeli bombing attack on Beirut – feeling as if I have been transplanted to the front-line of the Middle East conflict. The play is adapted to the circumstances of the world of any given day –
and it will leave you asking a lot of questions…”
Tom Jasiukowicz ACHE BLOG REVIEW July 2006
Aryan Kaganof – PHOTO BY NATALIE PAYNE
Unofficial film by catherine henegan and aryan kaganof for the nouvelle vague cover of the classic dead kennedys anthem
Click on the play button below to watch the video
“This production is not really a play. It could possibly be better described as post-modern reality theatre. But the best description, really, is simply that it’s a multi-media mind f**k. Light on literal spoonfeeding and heavy on symbolism, which is great as it gives the old grey matter a bit of a workout…it’s an unusual way of making an anti-war statement, as well as probing journalistic ethics and the way media manipulates the public agenda. For those who like their theatre combined with left-of-centre art, music and poetry, The Shooting Gallery is stimulating theatre. It’s profoundly odd, but innovative and thought provoking. Be warned: this avant-garde fare will not be easy for those who like their entertainment served up in a fast-food polystyrene box.” Christina Kennedy Theatre Vibe The Citizen – July 2006
Digital artist and film maker Aryan Kaganof, compiled a unique programme of poetry, performance and digital art entitled: “VIRGINS: The Staging of the Artist as the work itself ” at the KZNSA Gallery in Durban South Africa in August 2002 and Henegan was invited to participate.
“Toto!” was presented as a filmware video-installation. Filmware are computer-engineered movies, designed by Sub_Multimedia Research Laboratory, to create non-linear films and video installations.
The Rainbow is Real was commissioned by The Joubert Park Public Art Project in 2001.
Henegan presented a photographic ‘mirror piece’ of the Museumplein, a popular public park in Amsterdam, which was installed on a billboard outside the Johannesburg Art Gallery (JAG) in downtown Johannesburg.
Henegan was commissioned by Gerrit Dekker, Jan Brand and BAK (Basis voor Aktueele Kunst) to create a 5 screen video installation for Dekker’s retrospective exhibition About no below, no above, no sides
The exhibition took place in January 2005 at the BAK Gallery in Utrecht and co-incided with the launch of Dekker’s publication by the same name.
” This year’s National Arts Festival was thankfully not lacking in controversy. Catherine Henegan’s multimedia production,The Shooting Gallery, divided audiences like no other – some walked out, some gave standing ovations, others sat in stunned silence long after the play had ended.” David Bannister – scene 4 magazine 2006
Aryan Kaganof & Catherine Henegan – Preset for The Shooting Gallery
Trailer of the Dutch feature film directed by Maartje Seyferth & Victor Nieuwenhuijs after the classic play Lulu by Frank Wedekind. Featuring Vlatka Simac, Titus Muizelaar, Hugo Metsers, Adelheid Roosen, Georgina Verbaan en Willeke van Ammelrooij
Produced by Moskito Film Amsterdam
Poetry performance by Aryan Kaganof as part of the Catherine Henegan multi-media show The Shooting Gallery
Click on the play button below to watch the video
Or Press Escape conceived and directed by Edit Kaldor was first presented at Gasthuis Theater Amsterdam in 2002. Henegan collaborated with Kaldor on this pilot version of the project as the ‘woman behind the computer’.
“Adembenemend is de scene waarin de computer aan haar gebruikster meldt dat er onvoldoende geheugenruimte is en bestanden verwijderd moeten worden… als de Zuid Afrikaanse al haar openstaande programma’s en bestanden heeft weggeklikt, kijkt ze eigenlijk naar zichzelf. Deze voorstelling onthult stap voor stap wat een rijk complex aan activiteiten en relaties een mens achter een computer kan ontsluiten.”
Vrij Nederland
Aided by a computer and a projection screen an editor (Henegan) tracks the way media constructs and reconstructs news and fiction. The protagonist is a war photographer (Kaganof) whose gruesome photos lead him into battle with his own conscience.
Conceived and directed by Catherine Henegan in collaboration with Aryan Kaganof and James Webb.